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Alec Coker (Maker)

This piece of straw marquetry, mounted on turquoise felt, was designed and made by Alec Coker in the style of nineteenth century Swiss straw ornaments. It consists of a plaited straw circle inside of which are four plaited loops containing straw ornaments.

1 marquetry pattern: straw; felt; good condition

MERL miscellaneous note Greta Bertram, 20 August 2013 – The 'Coker Collection' of corn dollies was bequeathed to the Museum by Alec Coker, who devoted his retirement from 1965 until his death in 1986 to spreading knowledge of and teaching the craft of corn dolly making. He first became interested in the craft when working at the BBC when he encountered dollies as props on the set of ‘Lorna Doone’ in the 1930s. ‘Corn’ is a term for the family of grains which includes barley, oats, wheat and rye. ‘Corn dolly’ is a wide-ranging term which includes figures, love tokens, crosses, Scandinavian star designs, and Far Eastern shrine dolls made from ‘corn’ straw. Techniques used in the craft include tying, plaiting, weaving and marquetry. The corn dolly was originally an object used in rites and rituals, and in many parts of the world it was believed that the ‘Corn Goddess’ lived in the crop and died when it was harvested. Images of the Goddess, or other talismans, were woven from the last sheaf to be reaped and carefully preserved to ensure an abundant crop the following year. By the twentieth century, corn dollies had lost their ritual associations, and from the 1950s there was a concerted effort to preserve the craft of corn dolly making., MERL 'Handwritten accession' form (Institute of Agricultural History) – ‘Description: Circular motif // Circular plaited straw frame. Inside this, four plaited loops containing straw ornaments. Background of turquoise felt. // Dimensions: 22cm x 19cm // Associated information: Motif devised by Alec Coker in the style of a 19th century Swiss straw ornament. // References: A. Coker’s Collection List of Corn Dollies no.41’

Plant fibre, straw, Fibre, wool