Numero oggetto
86/160
Creatore
Descrizione
This straw marquetry picture depicts a scene of reeds, grass and butterflies, and is mounted on a green paper background. It was made by Alec Coker.
Descrizione fisica
1 straw marquetry picture: straw; paper; good condition
Storico archivio
MERL miscellaneous note Greta Bertram, 20 August 2013 – The 'Coker Collection' of corn dollies was bequeathed to the Museum by Alec Coker, who devoted his retirement from 1965 until his death in 1986 to spreading knowledge of and teaching the craft of corn dolly making. He first became interested in the craft when working at the BBC when he encountered dollies as props on the set of ‘Lorna Doone’ in the 1930s. ‘Corn’ is a term for the family of grains which includes barley, oats, wheat and rye. ‘Corn dolly’ is a wide-ranging term which includes figures, love tokens, crosses, Scandinavian star designs, and Far Eastern shrine dolls made from ‘corn’ straw. Techniques used in the craft include tying, plaiting, weaving and marquetry. The corn dolly was originally an object used in rites and rituals, and in many parts of the world it was believed that the ‘Corn Goddess’ lived in the crop and died when it was harvested. Images of the Goddess, or other talismans, were woven from the last sheaf to be reaped and carefully preserved to ensure an abundant crop the following year. By the twentieth century, corn dollies had lost their ritual associations, and from the 1950s there was a concerted effort to preserve the craft of corn dolly making., MERL 'Handwritten accession' form (Institute of Agricultural History) – ‘Description: Marquetry picture // Straw marquetry scene showing reeds, grass and butterflies. Mounted on a green paper background. // Dimensions: 21cm x 14cm // Associated information: Straw marquetry was though to have originated with French prisoners of war at Normans Cross, Huntingdonshire. They sold the articles, competing with the local trade. The industry was sometimes called Dunstable Ware. The craft was practised in towns and villages throughout the country. // References: A. Coker, The Craft of Straw Decoration, p.32 // M. Lambeth, A Golden Dolly, p.126–132 // A. Coker’s Collection List, no.83’
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