Historique d'archive
MERL miscellaneous note, B. L. 22 March 1961 – ‘The British Council collection. // This collection of material which is covered by the accession numbers 60/430 to 60/791 contains examples of craft products made in the British Isles. The major part of the collection was prepared immediately after the Second World War for a travelling exhibition which was sent to Australia and New Zealand. // The collection was purchased for a nominal sum by the Museum in two portions, the one in the summer of 1960 and the other in February 1961. // For further details see the individual catalogue cards and the catalogue prepared for the temporary exhibition of the collection.’, MERL 'Catalogue index' card – ‘This heart shaped socketed spade made by W. Evans, Smith of Aberayon, Cardiganshire is made of steel. The distance from the socket to the tip of the blade is 11 1/4 in. and the shoulders are 9 in. wide. There is a small hole for a nail drilled in the socket sleeve. On the under side of the blade is the mark W3. // See article on this type of spade in The Countryman, Winter 1960, Vol. 57, no.4, pp.723–24.’, MERL ‘Country Craftsmanship’ Exhibition Catalogue, 2 May–31 October 1961, ‘Introductory Note’ by Andrew Jewell – ‘The objects shown in this Exhibition of Country Craftsmanship were originally purchased by the British Council in 1946. They were selected for exhibition in Australia and New Zealand as samples of traditional handcrafts which were then being practised in the British countryside. The Museum of English Rural Life was fortunate to acquire this valuable collection from the Council and to have the opportunity of displaying such a wide variety of skills. // Almost all the crafts shown are still to be found in this country although, in the intervening fifteen years, many of the small firms and individual craftsmen whose products are represented in the Exhibition, have given up working. The number who now remain to carry on these particular traditional crafts continues to decline with the growth of mechanization, the obsolescence of their products and the difficult of finding apprentices to follow them. // All the objects on display have one characteristic in common – they were made to be used. Any aesthetic qualities which the craftsman achieved grew without self-consciousness. Over long years of apprenticeship the craftsman developed an intimate knowledge of the raw material at his disposal and its peculiarities. He acquired by inheritance the methods of his craft which may have had a continuous tradition over centuries of time. And he was quite familiar with the way in which his product was to be used. // We can derive pleasure simply by looking at the shapes and decorations. Both, however, are inseparable from function and environment, and the objects can only be most fully appreciated by an understanding of the purpose for which each was intended. // This, then, is an exhibition of everyday things, made by men and women who might not think of themselves as artists, but whose work, nevertheless, has enriched the daily life of those who live with their products.’, MERL ‘Country Craftsmanship’ Exhibition Catalogue, 2 May–31 October 1961, ‘Hooks and Slashers’, p.6 – ‘At one time almost every parish had its own distinct type of hook for reaping or hedging. The chief distinguishing features are the weight, shape and length of the blade, and the shape of the handle. Manufacturers still produce many different patterns for local requirements.’, MERL ‘Country Craftsmanship’ Exhibition Catalogue, 2 May–31 October 1961, p.7 – '50. Welsh Shovel. This type of blade, fitted with a long curved handle, is used widely in Wales, Devon and Cornwall for all digging and shovelling. // (W. Evans, Aberaryon, Cards.)', British Council ‘Exhibition of Rural Handicrafts from Great Britain’ Exhibition Catalogue, 1946, ‘Introductory Note’ – ‘This exhibition contains only examples of handicrafts that are still being practised in the British Countryside. It is confined to the work of our traditional craftsmen and women who, with very few exceptions, would not think of themselves as artists or designers but whose work, nevertheless, so greatly enriches the daily life of those who live with and use their products. The work of these craftsmen, too, provides the basis from which many artist-craftsmen gain technical knowledge and inspiration. // Included with these rural crafts are eight screens showing handicraft processes which can be undertaken by schools or adults who wish to practise a craft at home. In this way we hope these examples of Britain’s country crafts may be related to a practical aspect of present day life in the Dominions and meet the increasing need to find satisfying ways of using the leisure which machinery now makes available to us. // Along with her traditional rural crafts Great Britain seeks to employ all the resources of modern agricultural science and engineering. We have therefore included with this exhibition some photographs showing examples of recent developments in agricultural machinery.’, British Council ‘Exhibition of Rural Handicrafts from Great Britain’ Exhibition Catalogue, 1946, ‘Screen G. Small Implements’, p.14 – ‘Shapes exactly suited to their purpose have been evolved from generations of use. It will be noticed that some of the tools are made from old rasps. The steel from which these are made, when reforged, gives a particularly good and lasting edge.’, British Council ‘Exhibition of Rural Handicrafts from Great Britain’ Exhibition Catalogue, 1946, p.15 – 'G.10 Iron Shovel. W. Evans, Cardiganshire.', British Council Ref. No. NZ G10.
