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Alec Coker (Maker)

This corn dolly, in the form of a peacock and mounted on hardboard, was made by Alec Coker. The body is made from thick bands of corn stalks bound together to resemble lipwork (a technique consisting of bundles of straw bound together with bramble), and the feet and feathers are of coiled straw bands in lipwork.

1 dolly: straw

MERL miscellaneous note Greta Bertram, 20 August 2013 – The 'Coker Collection' of corn dollies was bequeathed to the Museum by Alec Coker, who devoted his retirement from 1965 until his death in 1986 to spreading knowledge of and teaching the craft of corn dolly making. He first became interested in the craft when working at the BBC when he encountered dollies as props on the set of ‘Lorna Doone’ in the 1930s. ‘Corn’ is a term for the family of grains which includes barley, oats, wheat and rye. ‘Corn dolly’ is a wide-ranging term which includes figures, love tokens, crosses, Scandinavian star designs, and Far Eastern shrine dolls made from ‘corn’ straw. Techniques used in the craft include tying, plaiting, weaving and marquetry. The corn dolly was originally an object used in rites and rituals, and in many parts of the world it was believed that the ‘Corn Goddess’ lived in the crop and died when it was harvested. Images of the Goddess, or other talismans, were woven from the last sheaf to be reaped and carefully preserved to ensure an abundant crop the following year. By the twentieth century, corn dollies had lost their ritual associations, and from the 1950s there was a concerted effort to preserve the craft of corn dolly making., MERL 'Handwritten accession' form (Institute of Agricultural History) – ‘Description: Peacock Finial // Thick straw bands of corn stalks form the body in the style of lipwork. The feet are of plaited corn and the plumage is of coiled straw bands in lipwork. Mounted on hardboard. // Dimensions: 83cm x 22cm // Associated information: Made by Alec Coker. // References: A. Coker’s Collection List, no.55’

Basketry, coiled, Braided