Object number
2010/55
Title
Shell guide to the roads of Britain – the Berkshire Ridgeway and Icknield Way,
Creator
Description
This poster for the Berkshire Ridgeway, an ancient road in Berkshire, is one of a series of four ‘Shell guide to the roads of Britain’ posters using paintings commissioned from David Gentleman (1930–). It was issued by Shell-Mex and B.P. Ltd. in 1965. The poster features a large painting across the top, below which is a description and map of the road, with the words ‘Go Well – Go Shell The Key to the Countryside’ at the bottom. There is a metal strip at the top and bottom for hanging.
Archival history
Collecting 20thc Rural Culture blog [Friday, 4 December 2009] – ‘Shell Guide to the Roads of Britain, 1965 – This straight stetch of the A15 in Lincolnshire sits on top of the original Roman road, Ermine Street, which linked London to York. It is one in a series of four poster advertisements that Shell produced on a roads theme, using paintings commissioned from David Gentleman(1930-). The other three are the Berkshire Ridgeway, Sewston Lane and Corrieyairack Pass. // They were used as eye catching full-colour advertisements in up-market magazines such as Country Life. They are subtle in approach, with a low key and almost subliminal message at the bottom: 'Go Well-Go Shell. The Key to the Countryside'. // This is very much in a tradition of Shell advertising going back to the 1920s in which commissioned works from known or up and coming artists were combined with catchy slogans to identify the product with the joys of exploring the countryside by motor car, and wed the company name to heritage and landscape and everything the nation held dear. The campaign took published form with the Shell County Guides series, beginning with John Betjemain's Cornwall in 1934 and running on through to the 1980s. // David Gentleman, painter of the Ermine Street image above, is one of the most successful commercial artists and illustrators of his generation with a portfolio embracing the whole spectrum from postage stamps to campaign posters and from murals to bookjackets. He married the daughter of George Ewart Evans (1909-88), the famed recorder of East Anglian oral tradition whose many works include Ask the Fellows Who Cut the Hay (1956), and has a close connection with rural Suffolk. His father, Tom Gentleman (1882-1966)was also a commercial artist and included some Shell advertising material amongst his commissions as well as an inclusion in the School Prints series (see earlier post). // Stubble burning is shown in process just off to the right of the road. This operation became steadily more controversial for the hazard it posed to buildings, flora and fauna, and road users, and was finally banned in 1993.’
Production date
1965 - 1965
Object name
Associated subject
