Bestandsgeschichte
MERL miscellaneous note, B. L. 22 March 1961 – ‘The British Council collection. // This collection of material which is covered by the accession numbers 60/430 to 60/791 contains examples of craft products made in the British Isles. The major part of the collection was prepared immediately after the Second World War for a travelling exhibition which was sent to Australia and New Zealand. // The collection was purchased for a nominal sum by the Museum in two portions, the one in the summer of 1960 and the other in February 1961. // For further details see the individual catalogue cards and the catalogue prepared for the temporary exhibition of the collection.’, MERL 'Catalogue index' card – ‘From Isaac Nash & Sons, Belbroughton, Stourbridge, Worcestershire. // Length of steel blade: 36 in. // Maximum width: 2 1/2 in. // See Classified Information. Letter from G.L. Rowberry, Sales Director, Brades Nash Tyzack Limited, Oldbury, Birmingham. // This contains an extract from a letter from Charles Boulton containing his lecture notes. In these notes the following appears. // “There are two types of scythe blades made in this country, the Solid Scythe Blade (shown in this example) and the Riveted Back Scythe Blade (see 60/513). The riveted blade is made in Sheffield and came into use in about 1840. // “Practically all Solid Scythe Blades are made at Belbroughton. The Riveted Back Scythe Blade, as its name implies, is a steel plate to which a back of mild steel is riveted. The solid blade looks like one piece of steel, but in actual fact it is a composite article of shear steel and mild steel welded together in a solid piece.” // For example of riveted type see 60/513.’, MERL ‘Country Craftsmanship’ Exhibition Catalogue, 2 May–31 October 1961, ‘Introductory Note’ by Andrew Jewell – ‘The objects shown in this Exhibition of Country Craftsmanship were originally purchased by the British Council in 1946. They were selected for exhibition in Australia and New Zealand as samples of traditional handcrafts which were then being practised in the British countryside. The Museum of English Rural Life was fortunate to acquire this valuable collection from the Council and to have the opportunity of displaying such a wide variety of skills. // Almost all the crafts shown are still to be found in this country although, in the intervening fifteen years, many of the small firms and individual craftsmen whose products are represented in the Exhibition, have given up working. The number who now remain to carry on these particular traditional crafts continues to decline with the growth of mechanization, the obsolescence of their products and the difficult of finding apprentices to follow them. // All the objects on display have one characteristic in common – they were made to be used. Any aesthetic qualities which the craftsman achieved grew without self-consciousness. Over long years of apprenticeship the craftsman developed an intimate knowledge of the raw material at his disposal and its peculiarities. He acquired by inheritance the methods of his craft which may have had a continuous tradition over centuries of time. And he was quite familiar with the way in which his product was to be used. // We can derive pleasure simply by looking at the shapes and decorations. Both, however, are inseparable from function and environment, and the objects can only be most fully appreciated by an understanding of the purpose for which each was intended. // This, then, is an exhibition of everyday things, made by men and women who might not think of themselves as artists, but whose work, nevertheless, has enriched the daily life of those who live with their products.’, MERL ‘Country Craftsmanship’ Exhibition Catalogue, 2 May–31 October 1961, p.11 – '103. Scythe with solid blade. The blade is a composite article of shear and mild steel welded together. // (Isaac Nash & Sons, Belbroughton, Worcs.)', British Council ‘Exhibition of Rural Handicrafts from Great Britain’ Exhibition Catalogue, 1946, ‘Introductory Note’ – ‘This exhibition contains only examples of handicrafts that are still being practised in the British Countryside. It is confined to the work of our traditional craftsmen and women who, with very few exceptions, would not think of themselves as artists or designers but whose work, nevertheless, so greatly enriches the daily life of those who live with and use their products. The work of these craftsmen, too, provides the basis from which many artist-craftsmen gain technical knowledge and inspiration. // Included with these rural crafts are eight screens showing handicraft processes which can be undertaken by schools or adults who wish to practise a craft at home. In this way we hope these examples of Britain’s country crafts may be related to a practical aspect of present day life in the Dominions and meet the increasing need to find satisfying ways of using the leisure which machinery now makes available to us. // Along with her traditional rural crafts Great Britain seeks to employ all the resources of modern agricultural science and engineering. We have therefore included with this exhibition some photographs showing examples of recent developments in agricultural machinery.’, British Council ‘Exhibition of Rural Handicrafts from Great Britain’ Exhibition Catalogue, 1946, ‘Screen G. Small Implements’, p.14 – ‘Shapes exactly suited to their purpose have been evolved from generations of use. It will be noticed that some of the tools are made from old rasps. The steel from which these are made, when reforged, gives a particularly good and lasting edge.’, British Council ‘Exhibition of Rural Handicrafts from Great Britain’ Exhibition Catalogue, 1946, p.15 – 'G.9 Scythe Blade. Isaac Nash & Sons, Worcestershire.', British Council Ref. No. NZ G9.
