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A Scandinavian-style ‘tied straw’ corn dolly in the form of a rooster, made in two pieces. The ends of the straw are tied with red wool, and felt and beads have been used for the eyes.

1 corn dolly: corn

MERL miscellaneous note Greta Bertram, 20 August 2013 – The 'Coker Collection' of corn dollies was bequeathed to the Museum by Alec Coker, who devoted his retirement from 1965 until his death in 1986 to spreading knowledge of and teaching the craft of corn dolly making. He first became interested in the craft when working at the BBC when he encountered dollies as props on the set of ‘Lorna Doone’ in the 1930s. ‘Corn’ is a term for the family of grains which includes barley, oats, wheat and rye. ‘Corn dolly’ is a wide-ranging term which includes figures, love tokens, crosses, Scandinavian star designs, and Far Eastern shrine dolls made from ‘corn’ straw. Techniques used in the craft include tying, plaiting, weaving and marquetry. The corn dolly was originally an object used in rites and rituals, and in many parts of the world it was believed that the ‘Corn Goddess’ lived in the crop and died when it was harvested. Images of the Goddess, or other talismans, were woven from the last sheaf to be reaped and carefully preserved to ensure an abundant crop the following year. By the twentieth century, corn dollies had lost their ritual associations, and from the 1950s there was a concerted effort to preserve the craft of corn dolly making., MERL 'Handwritten accession' form (Institute of Agricultural History) – ‘Description: Tied straw // Tied straw cock. Straw ends tied with red wool. Felt and bead for the eye. // Dimensions: 23cm x 5cm average // Associated information: Scandinavian style cockerel. Made in two pieces. // References: L. Sandford. Straw Work and Corn Dollies p.12 // A. Coker’s Collection List of Corn Dollies no.106.’